Maeterlinck’s Monna Vanna, set in Italy during the Renaissance, has a timeless theme: Romantic love ennobles the human soul. One rises in love. But how can one recognize true love? What price is worth paying for it? What risk is worth taking for it? This talk will consider the play’s special qualities, salient virtues, and significant history, including its role in Ayn Rand’s life and work.
Fyodor Dostoevsky was a novelist of ideas. Ayn Rand praised his “enormous intelligence” and “superb mastery of plot structure”; some of her fiction even has parallels with his. As a writer, he dramatized principles with passionate intensity and psychological complexity. As a man, he took part in Russia’s debates and dangers (including hard labor in Siberia). Powerful convictions inspired his characters’ actions–and his own. (No advance reading required.)
Recorded live as part of The Objectivist Conference on September 01, 2021.
The goal of this talk is to help you fall in love – or more in love – both with poetry and with love itself. With a symphonic integration of all the resources of language, great love poets take the most elusive nuances, thrills, mysteries, and motifs of love and throw them into sharp relief. During this talk, you will see these facets illumined by such timeless poets as Tennyson, Donne, Millay, and Browning.
You will experience the power of poetry to sharpen our vision, intensify our feelings, deepen our souls, and expand our capacity to love.
Recorded live at OCON 2018.
The goal of this talk is to help you fall in love – or more in love – both with poetry and with love itself. With a symphonic integration of all the resources of language, great love poets take the most elusive nuances, thrills, mysteries, and motifs of love and throw them into sharp relief. During this talk, you will see these facets illumined by such timeless poets as Tennyson, Donne, Millay, and Browning.
You will experience the power of poetry to sharpen our vision, intensify our feelings, deepen our souls, and expand our capacity to love.
Recorded live at OCON 2018.
At the turn of the millennium, two different polls were held. The question was: What’s the best English-language novel of the twentieth century? One poll questioned literary experts—they picked Ulysses by James Joyce. The second poll questioned internet users—their choice was Atlas Shrugged by Ayn Rand.
Is there any objective way to settle who is right? And is art (painting, sculpture, music, architecture) objective or subjective? Is beauty in the eye of the beholder?
Join Harry Binswanger as he presents Rand’s revolutionary answer to the question: What is art and what are the standards for judging art?